Rare Circus CDV Bold Composite Photo Of George L. Fox Legendary American Clown

Rare Circus CDV Bold Composite Photo Of George L. Fox Legendary American Clown

Rare Circus CDV Bold Composite Photo Of George L. Fox Legendary American Clown
RARE CIRCUS CDV – BOLD COMPOSITE PHOTO OF GEORGE L. FOX LEGENDARY AMERICAN CLOWN – Images of George L. Fox the legendary American Clown are extremely rare. Here is one of the rarest composite images of this showman. The center image is of the man behind all the other clown faces. His initials and last name are boldly printed at the bottom of the mount. The backside is blank and the mount remains in excellent condition. CONDITION: Please view my detailed photos for the actual condition of the image and as part of my description. The print has a few stains and one small loss. The unusual composite image remains bold and the mount is sharp. You are considering a rare and top quality circus CDV for your personal collection.
Rare Circus CDV Bold Composite Photo Of George L. Fox Legendary American Clown

Jo Cain PAINTING ANTIQUE WPA Beach Circus Carnival Large AMERICAN REGIONALISM

Jo Cain PAINTING ANTIQUE WPA Beach Circus Carnival Large AMERICAN REGIONALISM
Jo Cain PAINTING ANTIQUE WPA Beach Circus Carnival Large AMERICAN REGIONALISM
Jo Cain PAINTING ANTIQUE WPA Beach Circus Carnival Large AMERICAN REGIONALISM
Jo Cain PAINTING ANTIQUE WPA Beach Circus Carnival Large AMERICAN REGIONALISM
Jo Cain PAINTING ANTIQUE WPA Beach Circus Carnival Large AMERICAN REGIONALISM
Jo Cain PAINTING ANTIQUE WPA Beach Circus Carnival Large AMERICAN REGIONALISM
Jo Cain PAINTING ANTIQUE WPA Beach Circus Carnival Large AMERICAN REGIONALISM
Jo Cain PAINTING ANTIQUE WPA Beach Circus Carnival Large AMERICAN REGIONALISM
Jo Cain PAINTING ANTIQUE WPA Beach Circus Carnival Large AMERICAN REGIONALISM
Jo Cain PAINTING ANTIQUE WPA Beach Circus Carnival Large AMERICAN REGIONALISM
Jo Cain PAINTING ANTIQUE WPA Beach Circus Carnival Large AMERICAN REGIONALISM
Jo Cain PAINTING ANTIQUE WPA Beach Circus Carnival Large AMERICAN REGIONALISM
Jo Cain PAINTING ANTIQUE WPA Beach Circus Carnival Large AMERICAN REGIONALISM
Jo Cain PAINTING ANTIQUE WPA Beach Circus Carnival Large AMERICAN REGIONALISM
Jo Cain PAINTING ANTIQUE WPA Beach Circus Carnival Large AMERICAN REGIONALISM
Jo Cain PAINTING ANTIQUE WPA Beach Circus Carnival Large AMERICAN REGIONALISM
Jo Cain PAINTING ANTIQUE WPA Beach Circus Carnival Large AMERICAN REGIONALISM
Jo Cain PAINTING ANTIQUE WPA Beach Circus Carnival Large AMERICAN REGIONALISM
Jo Cain PAINTING ANTIQUE WPA Beach Circus Carnival Large AMERICAN REGIONALISM
Jo Cain PAINTING ANTIQUE WPA Beach Circus Carnival Large AMERICAN REGIONALISM
Jo Cain PAINTING ANTIQUE WPA Beach Circus Carnival Large AMERICAN REGIONALISM
Jo Cain PAINTING ANTIQUE WPA Beach Circus Carnival Large AMERICAN REGIONALISM
Jo Cain PAINTING ANTIQUE WPA Beach Circus Carnival Large AMERICAN REGIONALISM

Jo Cain PAINTING ANTIQUE WPA Beach Circus Carnival Large AMERICAN REGIONALISM
SAVE ME AS YOUR FAVORITE ART AND ANTIQUES DEALER. NEW ITEMS ADDED DAILY. MUSEUM QUALITY ESTATE ITEMS. OIL ON CANVAS BY FAMOUS AND IMPORTANT AMERICAN ARTIST. NEEDS A CLEANING, CANVAS NEEDS TO BE RE STRETCHED. CANVAS A BIT LOOSE. NEEDS SOME MILD TOUCH UPS AS SHOWN. I BELIEVE THE ARTIST WAS IN THE PROCESS OF RESTORATION AT SOME POINT. SOME TISSURE PAPER ON TOP LAYERS IN A FEW AREAS WHERE THE PAINT SURROUNDING AREA WAS BEING PRESERVED WITH CAUTION. THIS PAPER WILL NEED TO BE REMOVED. OVERALL IN GOOD SHAPE. PRICE IS BASED ON AGE, QUALITY, CONDITION AND WHAT I PAID TO OWN IT. Measurements : PAINTING 24 BY 30 INCHES. Born and raised in New Orleans, Joseph Cain studied at the Chicago Academy of Art and at the Art Students League in New York. Through the years he painted a variety of subjects, but one of his favorites was the street life of his native city. Representations of New Orleans provide the subject for many of his earliest paintings, as well as late works like. Miss Willie’s Revisited. Which shows the “parlor” of one of the city’s more famous bordellos. Other memories of New Orleans include two views of St. Louis #3, one of its historic cemeteries. House with Cornstalk Fence; Queen of the Mardi Gras; and Peep Show. In the 1930s, Cain’s work became increasingly abstract. The apparent flatness of his compositions, together with the sense of movement achieved by the manipulation of overlapping color planes and perspective, are characteristics of a style described in 1939 as decorative expressionism. Cain’s paint is usually thickly applied, and while his dancers, harlequins and ladies of the evening owe their inspiration to Matisse and other modernists, as one critic observed, his work has a fresh vision that cannot be clearly traced either to contemporary American or French schools. His world is never dirty, mean or gray, but it is always bright and luminous (Stanley Lothrop, Boyer Galleries, New York, 1939). Thank you for vi. Biography from The Johnson Collection. Beginning at the age of sixteen, his educational journey led him first to the Art Institute of Chicago and then to the Art Students League in New York, where he was instructed by Kenneth Hayes Miller and Kimon Nicolaides. He later studied under the Abstract Expressionist Hans Hoffman. A 1929 Carnegie Fellowship funded a year’s enrollment at the Sorbonne in Paris and travel throughout Europe; Cain also received multiple Tiffany Foundation Fellowships. Using thickly applied paint, layered color planes, and multiple perspectives, Cain created paintings, including streetscapes, marine scenes, and landscapes, which were sometimes categorized as “decorative expressionism” beginning in the late 1930s. In 1932, Cain’s entry to the First Biennial Exhibition of Contemporary American Painting at the Whitney Museum of American Art hung in the exhibition’s entry way; other works were shown at such prestigious venues as the Museum of Modern Art, American Art, Pennsylvania Academy of the Fine Arts, National Academy of Design, and Carnegie Institute. He also executed a monumental mural at New York State Training School where he was employed as a teacher. While living in New York during this period, Cain was an integral member of a contemporary art collective known as “The Group, ” whose participants included Milton Avery, George Biddle, Robert Gwathmey, Marsden Hartley, John Marin, and many other important modernists. In 1944, Cain joined the faculty at the University of Rhode Island, establishing and chairing the art department for over two decades. Cain continued to paint long past his retirement from teaching, often returning to New Orleans subject matter in canvases that capture the bright color and festive energy of his birthplace.
Jo Cain PAINTING ANTIQUE WPA Beach Circus Carnival Large AMERICAN REGIONALISM

Antique Wpa Painting Circus Traveling Wagon Fair Ashcan American Regionalism Oil

Antique Wpa Painting Circus Traveling Wagon Fair Ashcan American Regionalism Oil
Antique Wpa Painting Circus Traveling Wagon Fair Ashcan American Regionalism Oil
Antique Wpa Painting Circus Traveling Wagon Fair Ashcan American Regionalism Oil
Antique Wpa Painting Circus Traveling Wagon Fair Ashcan American Regionalism Oil
Antique Wpa Painting Circus Traveling Wagon Fair Ashcan American Regionalism Oil
Antique Wpa Painting Circus Traveling Wagon Fair Ashcan American Regionalism Oil
Antique Wpa Painting Circus Traveling Wagon Fair Ashcan American Regionalism Oil
Antique Wpa Painting Circus Traveling Wagon Fair Ashcan American Regionalism Oil
Antique Wpa Painting Circus Traveling Wagon Fair Ashcan American Regionalism Oil
Antique Wpa Painting Circus Traveling Wagon Fair Ashcan American Regionalism Oil
Antique Wpa Painting Circus Traveling Wagon Fair Ashcan American Regionalism Oil
Antique Wpa Painting Circus Traveling Wagon Fair Ashcan American Regionalism Oil
Antique Wpa Painting Circus Traveling Wagon Fair Ashcan American Regionalism Oil
Antique Wpa Painting Circus Traveling Wagon Fair Ashcan American Regionalism Oil
Antique Wpa Painting Circus Traveling Wagon Fair Ashcan American Regionalism Oil
Antique Wpa Painting Circus Traveling Wagon Fair Ashcan American Regionalism Oil
Antique Wpa Painting Circus Traveling Wagon Fair Ashcan American Regionalism Oil
Antique Wpa Painting Circus Traveling Wagon Fair Ashcan American Regionalism Oil
Antique Wpa Painting Circus Traveling Wagon Fair Ashcan American Regionalism Oil
Antique Wpa Painting Circus Traveling Wagon Fair Ashcan American Regionalism Oil

Antique Wpa Painting Circus Traveling Wagon Fair Ashcan American Regionalism Oil
SAVE ME AS YOUR FAVORITE ART AND ANTIQUES DEALER. Overview : ORIGINAL 1940’S TO 1950’S OIL ON CANVAS BOARD. ORIGINAL PERIOD CARVED WOOD FRAME. PAINTING OVERALL IN GOOD SHAPE. A FEW SMALL AREAS OF PAINT LOSS. MILD TOUCH UPS NEEDED. FRAME HAS MILD WEAR. LOOKS NICE AS IT IS. ARNO Scheiding attended the Philadelphia School of Design and Drexel Institute. He later went to New York as a freelance industrial designer and afterward became associated with the L. Carpenter Company of Dover, N. Maker of vinyl fabrics. In recent years he was director of design. Scheiding was founder of the Rowayton Arts Center.
Antique Wpa Painting Circus Traveling Wagon Fair Ashcan American Regionalism Oil

Antique HOXIES GREAT AMERICAN CIRCUS POSTER atglen pa 14x 42 silk screen OLDER

Antique HOXIES GREAT AMERICAN CIRCUS POSTER atglen pa 14x 42 silk screen OLDER
Antique HOXIES GREAT AMERICAN CIRCUS POSTER atglen pa 14x 42 silk screen OLDER
Antique HOXIES GREAT AMERICAN CIRCUS POSTER atglen pa 14x 42 silk screen OLDER
Antique HOXIES GREAT AMERICAN CIRCUS POSTER atglen pa 14x 42 silk screen OLDER
Antique HOXIES GREAT AMERICAN CIRCUS POSTER atglen pa 14x 42 silk screen OLDER

Antique HOXIES GREAT AMERICAN CIRCUS POSTER atglen pa 14x 42 silk screen OLDER
Antique HOXIES GREAT AMERICAN CIRCUS POSTER atglen pa 14″x 42″ silk screen OLDER. SCROLL DOWN for MORE PHOTOS. To view or search ANTIQUE. This listing is for the amazing paper poster shown. It is rolled and measures approx. 14″ x 42″ when fully open. Overall, very good clean condition for age. There is wear and scuffs to the silk screen paint as shown in the photographs. Some vintage wear including some waviness, and edge wear/tear. Please see our supersized photos. CONDITION : See listing description and photos. Powered by SixBit’s eCommerce Solution.
Antique HOXIES GREAT AMERICAN CIRCUS POSTER atglen pa 14x 42 silk screen OLDER

8 1/4 Antique American Composition Schoenhut Circus Clown Doll! Rare

8 1/4 Antique American Composition Schoenhut Circus Clown Doll! Rare
8 1/4 Antique American Composition Schoenhut Circus Clown Doll! Rare
8 1/4 Antique American Composition Schoenhut Circus Clown Doll! Rare
8 1/4 Antique American Composition Schoenhut Circus Clown Doll! Rare
8 1/4 Antique American Composition Schoenhut Circus Clown Doll! Rare
8 1/4 Antique American Composition Schoenhut Circus Clown Doll! Rare
8 1/4 Antique American Composition Schoenhut Circus Clown Doll! Rare
8 1/4 Antique American Composition Schoenhut Circus Clown Doll! Rare
8 1/4 Antique American Composition Schoenhut Circus Clown Doll! Rare
8 1/4 Antique American Composition Schoenhut Circus Clown Doll! Rare

8 1/4 Antique American Composition Schoenhut Circus Clown Doll! Rare
Well he’s in fairly rough condition with plenty of cleaning need to be done and his cloth is kind of stiff. Maybe that just adds to his character. Looks like the ears are intended to move, a string passes through his neck, head, to his hat. Anson’s Antiques is a family run, multigenerational store with 10+ years of experience. All products are listed to the best of our knowledge and ability. Thank you for helping our small business of curated treasures!
8 1/4 Antique American Composition Schoenhut Circus Clown Doll! Rare

Antique American Schoenhut’s Wooden Humpty Dumpty Circus Box

Antique American Schoenhut's Wooden Humpty Dumpty Circus Box
Antique American Schoenhut's Wooden Humpty Dumpty Circus Box
Antique American Schoenhut's Wooden Humpty Dumpty Circus Box
Antique American Schoenhut's Wooden Humpty Dumpty Circus Box
Antique American Schoenhut's Wooden Humpty Dumpty Circus Box
Antique American Schoenhut's Wooden Humpty Dumpty Circus Box
Antique American Schoenhut's Wooden Humpty Dumpty Circus Box
Antique American Schoenhut's Wooden Humpty Dumpty Circus Box
Antique American Schoenhut's Wooden Humpty Dumpty Circus Box
Antique American Schoenhut's Wooden Humpty Dumpty Circus Box
Antique American Schoenhut's Wooden Humpty Dumpty Circus Box
Antique American Schoenhut's Wooden Humpty Dumpty Circus Box
Antique American Schoenhut's Wooden Humpty Dumpty Circus Box
Antique American Schoenhut's Wooden Humpty Dumpty Circus Box
Antique American Schoenhut's Wooden Humpty Dumpty Circus Box
Antique American Schoenhut's Wooden Humpty Dumpty Circus Box
Antique American Schoenhut's Wooden Humpty Dumpty Circus Box
Antique American Schoenhut's Wooden Humpty Dumpty Circus Box
Antique American Schoenhut's Wooden Humpty Dumpty Circus Box

Antique American Schoenhut's Wooden Humpty Dumpty Circus Box
This antique American Schoenhut’s Wooden Humpty Dumpty Circus Box is a rare and unique find for vintage toy collectors. Made in the United States, this piece showcases the craftsmanship and attention to detail of a bygone era. With its vintage charm, it is sure to bring joy to any collector or enthusiast. The brand Schoenhut is synonymous with quality and has been a trusted name in the toy industry for generations. The wooden construction and intricate design of this Humpty Dumpty Circus Box make it stand out in any collection. Whether you are a seasoned collector or just starting out, this piece is a must-have addition. Please see pics for detailed condition. Box is tight and intact. Please request any additional pics or questions you may have. I have no idea what this is worth, I couldn’t find any comparable ones to price it accordingly so send me your offers. Put a watch on this so you will be notified when I randomly lower the price until it sells.
Antique American Schoenhut's Wooden Humpty Dumpty Circus Box