Antique Photos 1916 To 1949 Carnival Circus Vaudeville Acts Featuring L Anderson

Antique Photos 1916 To 1949 Carnival Circus Vaudeville Acts Featuring L Anderson
Antique Photos 1916 To 1949 Carnival Circus Vaudeville Acts Featuring L Anderson
Antique Photos 1916 To 1949 Carnival Circus Vaudeville Acts Featuring L Anderson
Antique Photos 1916 To 1949 Carnival Circus Vaudeville Acts Featuring L Anderson
Antique Photos 1916 To 1949 Carnival Circus Vaudeville Acts Featuring L Anderson
Antique Photos 1916 To 1949 Carnival Circus Vaudeville Acts Featuring L Anderson
Antique Photos 1916 To 1949 Carnival Circus Vaudeville Acts Featuring L Anderson
Antique Photos 1916 To 1949 Carnival Circus Vaudeville Acts Featuring L Anderson
Antique Photos 1916 To 1949 Carnival Circus Vaudeville Acts Featuring L Anderson
Antique Photos 1916 To 1949 Carnival Circus Vaudeville Acts Featuring L Anderson
Antique Photos 1916 To 1949 Carnival Circus Vaudeville Acts Featuring L Anderson
Antique Photos 1916 To 1949 Carnival Circus Vaudeville Acts Featuring L Anderson
Antique Photos 1916 To 1949 Carnival Circus Vaudeville Acts Featuring L Anderson
Antique Photos 1916 To 1949 Carnival Circus Vaudeville Acts Featuring L Anderson
Antique Photos 1916 To 1949 Carnival Circus Vaudeville Acts Featuring L Anderson
Antique Photos 1916 To 1949 Carnival Circus Vaudeville Acts Featuring L Anderson
Antique Photos 1916 To 1949 Carnival Circus Vaudeville Acts Featuring L Anderson
Antique Photos 1916 To 1949 Carnival Circus Vaudeville Acts Featuring L Anderson
Antique Photos 1916 To 1949 Carnival Circus Vaudeville Acts Featuring L Anderson
Antique Photos 1916 To 1949 Carnival Circus Vaudeville Acts Featuring L Anderson
Antique Photos 1916 To 1949 Carnival Circus Vaudeville Acts Featuring L Anderson
Antique Photos 1916 To 1949 Carnival Circus Vaudeville Acts Featuring L Anderson
Antique Photos 1916 To 1949 Carnival Circus Vaudeville Acts Featuring L Anderson
Antique Photos 1916 To 1949 Carnival Circus Vaudeville Acts Featuring L Anderson

Antique Photos 1916 To 1949 Carnival Circus Vaudeville Acts Featuring L Anderson
LUCILLE ANDERSON FIRST WOMAN TO DIVE 105 FEET FROM SMALL PLATFORM INTO A TANK OF EATER. SHE PERFORMED IN CARNIVAL, CIRCUS, AND VAUDEVILLE. THIS LOT CONTAINS LARGE CABINET CARDS, LARGE PHOTOS. PLAY BILLS, BROCHURES, WOOD NEGATIVES A US FLAG WITH I BELIEVE 48 STARS, SCRAP BOOK AND MORE. 90 % OF THE PHOTOS ARE IN GOOD+ TO VERY GOOD CONDITION 5% GOOD TO FAIR CONDITION 5% FAIR AND BEGINNING TO FADE. THESE PHOTOS AND SOME OF THE OTHER EPHEMERAL PIECES BELONGING TO THIS LOT INDICATE A STRONG BOUND BETWEEN THESPIANS. GREAT LOT FOR A COLLECTOR. PLEASE VIEW ALL PHOTOS.
Antique Photos 1916 To 1949 Carnival Circus Vaudeville Acts Featuring L Anderson

1 to 8 Antique Circus Carnival Canes Make a Best Offer on the ones you want

1 to 8 Antique Circus Carnival Canes Make a Best Offer on the ones you want
1 to 8 Antique Circus Carnival Canes Make a Best Offer on the ones you want
1 to 8 Antique Circus Carnival Canes Make a Best Offer on the ones you want

1 to 8 Antique Circus Carnival Canes Make a Best Offer on the ones you want
1-2-3-4-5-6-7 or 8 Antique Carnival Canes 35-36.5. Signs of wear, 3 are missing the metal tips, some color fading, as shown. Please use the photos as they are the main part of the listing. If time is an issue, please check first, Thank You. I WILL GIVE YOU THE. BEST POSSIBLE DESCRIPTIONS & PHOTOS. FOR YOU TO MAKE AN INFORMED DECISION. I WILL NOT END LISTED AUCTIONS EARLY, PLEASE DON’T ASK.
1 to 8 Antique Circus Carnival Canes Make a Best Offer on the ones you want

1923 Kent Deco Carnival May Pole Circus Spring Dance Flag Vintage Art Cover Vq26

1923 Kent Deco Carnival May Pole Circus Spring Dance Flag Vintage Art Cover Vq26

1923 Kent Deco Carnival May Pole Circus Spring Dance Flag Vintage Art Cover Vq26
1923 KENT DECO CARNIVAL MAY POLE CIRCUS SPRING DANCE FLAG VINTAGE ART COVER VQ26. AN ORIGINAL ILLUSTRATED COVER (COVER ONLY) FROM VINTAGE PERIODICAL… DATE OF ORIGINAL COVER. (June 21, 1882 – March 13, 1971) was an American painter. Illustrator, writer, sailor, adventurer and voyager. Rockwell Kent was born in. He lived much of his early life in and around New York City, where he attended the. In his mid-40s he moved to an. Farmstead that he called. Where he lived and painted until his death. Kent studied with several influential painters and theorists of his day. He studied composition and design with. At the Art Students League in the fall of 1900, and he studied painting with. Each of the three summers between 1900 and 1902 at the. Shinnecock Hills Summer School of Art. After which he entered in the fall of 1902. S class at the. New York School of Art. Which Chase had founded. During the summer of 1903 in. Kent was apprenticed to painter and naturalist. An undergraduate background in architecture at. Prepared Kent for occasional work in the 1900s and 1910s as an architectural renderer and carpenter. At the Art Students League he would meet and befriend the artists. Kent’s early paintings of. Were first shown at the. Society of American Artists. In New York in 1904, when. In 1905 Kent ventured to. Maine, and found its rugged and primordial beauty a source of inspiration for the next five years. His first series of paintings of Monhegan were shown to wide critical acclaim in 1907 at Clausen Galleries in New York. These works form the foundation of his lasting reputation as an early American. And can be seen in museums across the country, including the. Metropolitan Museum of Art. New Britain Museum of American Art. Fine Arts Museums of San Francisco. Among those critics lauding Kent was James Huneker of the. Sun, who praised Kent’s athletic brushwork and daring color dissonances. It was Huneker who deemed the paintings of. In 1910, Kent helped organize the Exhibition of Independent Artists, and in 1911 together with Arthur B. Davies he organized An Independent Exhibition of the Paintings and Drawings of Twelve Men, referred to as “The Twelve” and “Kent’s Tent”. (but not John Sloan, Robert Henri, or George Bellows) participated in the 1911 exhibition. In the tradition of. Whose works he read, Kent found inspiration in the austerity and stark beauty of wilderness. After Monhegan, he lived for extended periods of time in. His series of land and seascapes from these often forbidding locales convey the Symbolist spirit evoking the mysteries and cosmic wonders of the natural world. “I don’t want petty self-expression”, Kent wrote, I want the elemental, infinite thing; I want to paint the rhythm of eternity. In the late summer of 1918, Kent and his nine-year-old son ventured to the American frontier of. (1920), the first of Kent’s several adventure memoirs, is an edited and illustrated compilation of his letters home. As easily the most remarkable book to come out of America since. Upon the artist’s return to New York in March 1919, publishing scion. And others, including Juliana Force-assistant to Gertrude Vanderbilt Whitney-incorporated the artist as Rockwell Kent, Inc. Their artistic lineage to the small and spare oil sketches of. James Abbott McNeill Whistler. Approached in 1926 by publisher. To produce an illustrated edition of. Richard Henry Dana, Jr. Two Years Before the Mast. Published in 1930 by the Lakeside Press of. Less well known are Kent’s talents as a. As the pen-and-ink draftsman Hogarth, Jr. , Kent created dozens of whimsical and irreverent drawings published by. He brought his Hogarth, Jr. Style to a series of richly colored reverse paintings on glass that he completed in 1918 and exhibited at. Wanamaker’s Department Store. Two of these glass paintings are in the collection of the. Columbus Museum of Art. Part of the bequest of modernist collector. Further decorative work ensued intermittently: in 1939. Reproduced three series of designs drawn by Kent (Moby Dick, Salamina, Our America) on its sets of contemporary china dinnerware. His pen, brush, and ink drawings were reproduced on the covers of the. Magazine to say that if it were distinguished for nothing else. Would stand apart from rival’pulps’…. Because it was once entirely illustrated by Rockwell Kent…. Raymond Moore, founder and impresario of the Cape Playhouse and Cinema in. Contracted with Rockwell Kent for the design of murals for the cinema, but the work of transferring and painting the designs on the 6,400-square-foot 590 m. Ostensibly staying away from the state of Massachusetts to protest the. Executions of 1927, Kent did in fact venture to Dennis in June 1930 to spend three days on the scaffolding, making suggestions and corrections. The signatures of both Kent and Mielziner appear on opposite walls of the cinema. Kent traveled three times to Greenland. After meeting Danish Arctic explorers Peter Freuchen and Knud Rasmussen in 1929, Kent determined to return to Greenland to paint and write. He spent two years (1931-32 and 1934-35) above the Arctic Circle in a tiny fishing settlement called Igdlorssuit (or Illorsuit), where he conceived some of the largest and most celebrated paintings of his career. Among his many cross-cultural encounters in Greenland was with Leni Riefenstahl, the famed German actress who was briefly in Illorsuit with the film crew of. Kent’s own movie-making aspirations, including a quasi-documentary film featuring the Inuit, are documented in. Rockwell Kent and Hollywood. (Jake Milgram Wien, 2002), cited below. Many of Kent’s historic photographs and hand-tinted lantern slides are reproduced for the first time in. North by Nuuk: Greenland after Rockwell Kent. (Denis Defibaugh, 2019), also cited below. Approached, Kent shifted his priorities, becoming increasingly active in progressive politics. In 1937, the Section of Painting and Sculpture of the U. Treasury commissioned Kent, along with nine other artists, to paint two murals in the New Post Office building at the. Kent included in an. That alone can make us equal and free. The incident caused some consternation. Kent’s patriotism never waned in spite of his often critical views of American foreign policy. He remained America’s premier draftsman of the sea, and during World War II he produced a series of pen/brush and ink maritime drawings for. And began another series of pen/brush and ink drawings for Rahr Malting Company which he completed in 1946. The drawings were reproduced in. A book Kent also wrote and designed celebrating American freedom and democracy and the important role immigrants play in constructing American national identity. In 1948 Kent was elected to the. National Academy of Design. As an Associate member, and in 1966 he became a full Academician. However, the political changes of the Cold War and the rise of. Cast shadows over his art and representational painting in general. SEE PHOTO FOR DIMENSIONS (ALL DIMENSIONS IN INCHES). MANY OF THESE COVERS HAVE HEAVIER AGE WEAR FROM COLLECTOR USE (INCLUDING EDGE CUTS + REPAIRED TEARS) THE WEAR SHOULD BE EASY TO CLEAN OR REPAIR FOR FRAMING…. All original ads have some sign of age use.. These are period ads and we take quality photo’s to show any flaws. If you have questions about condition please ask… We do not reveal the periodical from which the ad is removed… For those folks who wish to copy and print our photo’s be aware they are photo copyrighted. And we will report misuse! We DO try and note and MAJOR flaws…. Otherwise please use the photo as part of the description.. Available with this method. At BRANCHWATER BOOKS we look for rare & unusual ADVERTISING, COVERS + PRINTS of commercial graphics from throughout the world. THE COLLECTING OF MAGAZINE COVER ART IS INTRIGUING IN THE SENSE OF “THE FIND” AND ALSO “THE BRAG”… BEING IN EVERY SENSE OF THE WORD-EPHEMERAL, MOST MAGAZINES WERE NOT INTENDED FOR LONG-TERM SURVIVAL. STARTING WITH THE FIRST MAGAZINE (IE: THE GENTLEMAN’S MAGAZINE, FIRST PUBLISHED IN 1731, IN LONDON, CONSIDERED TO HAVE BEEN THE FIRST GENERAL INTEREST MAGAZINE). AND SO THE ENJOYMENT OF COLLECTING MAGAZINES AND THEIR SUPERLATIVE COVER ART BEGAN. WARS, HATE MONGERS, BOOK BINDERS, SCRAP DRIVES, RODENTS, MOLD AND FIRE, HAVE TAKEN THEIR TOLL UPON SURVIVAL… AS WITH ALL EPHEMERA, CONDITION, SCARCITY, CONDITION, DESIRABILITY, CONDITION, AND… ARE THE PRIME FACTORS INVOLVED IN PRICE. PERFECT COVER ART IS RARE—AND PRICED ACCORDINGLY! MOST COVERS PRIOR TO 1880 WERE PRINTED ON ACID FREE PAPER… AFTER THAT PAPER QUALITY CONTINUES TO DECLINE. As graphic collectors ourselves, we take great pride in doing the best job we can to preserve and extend the wonderful historic graphics of the past. PAGES MAY SHOW AGE WEAR AND IMPERFECTIONS TO MARGINS, WITH CLOSED NICKS AND CUTS, WHICH DO NOT AFFECT AD IMAGE OR TEXT WHEN MATTED AND FRAMED. A Note to our international buyers (Including Canada). Mark merchandise values below value or mark items as GIFTS, US and International government laws prohibit this so please don’t ask us to. BRANCHWATER BOOKS GRADING SCALE. Powered by SixBit’s eCommerce Solution.
1923 Kent Deco Carnival May Pole Circus Spring Dance Flag Vintage Art Cover Vq26

Antique Gambling Roulette Wheel Casino Game Wood Carnival Sign Vintage circus

Antique Gambling Roulette Wheel Casino Game Wood Carnival Sign Vintage circus
Antique Gambling Roulette Wheel Casino Game Wood Carnival Sign Vintage circus
Antique Gambling Roulette Wheel Casino Game Wood Carnival Sign Vintage circus
Antique Gambling Roulette Wheel Casino Game Wood Carnival Sign Vintage circus
Antique Gambling Roulette Wheel Casino Game Wood Carnival Sign Vintage circus
Antique Gambling Roulette Wheel Casino Game Wood Carnival Sign Vintage circus
Antique Gambling Roulette Wheel Casino Game Wood Carnival Sign Vintage circus
Antique Gambling Roulette Wheel Casino Game Wood Carnival Sign Vintage circus
Antique Gambling Roulette Wheel Casino Game Wood Carnival Sign Vintage circus
Antique Gambling Roulette Wheel Casino Game Wood Carnival Sign Vintage circus
Antique Gambling Roulette Wheel Casino Game Wood Carnival Sign Vintage circus
Antique Gambling Roulette Wheel Casino Game Wood Carnival Sign Vintage circus

Antique Gambling Roulette Wheel Casino Game Wood Carnival Sign Vintage circus
ORIGINAL HAND PAINTED WOODEN GAMBLING WHEEL WITH A 20 DIAMETER. HAS NICE PATINA FORM AGE. SHOWS SCRATCHES, SCUFFS, MARKS, WOOD CHIPS, CRACKS, SOME PAINT LOSS AND PAINT FLAKING FROM AGE, SOME BENT NAILS, SOME MISSING NAILS, STAINS, ETC. PLEASE ASK IF YOU HAVE ANY QUESTIONS THANK YOU!
Antique Gambling Roulette Wheel Casino Game Wood Carnival Sign Vintage circus

1940s Vintage CIRCUS CARNIVAL CLOWN Reading Newspaper Costume Large Photo Art

1940s Vintage CIRCUS CARNIVAL CLOWN Reading Newspaper Costume Large Photo Art

1940s Vintage CIRCUS CARNIVAL CLOWN Reading Newspaper Costume Large Photo Art
Authentic Vintage CARNIVAL CIRCUS Original Photo Gravure. By Maxwell Frederic Coplan. Since 1989 – The Name You Can Trust For Fine Vintage Photogravures, Photographs & Antique Prints. Serving the Design & Decor trades for over 25 years. See our vintage and original prints featured in. Coastal Living, Dwell Magazine. And other fine quality publications. This Vintage Print Comes Professionally Dry Mounted On Acid Free Conservation Mat Board and Ready To Place In A Standard Size Frame. Photographer: Maxwell Frederic Coplan (American, 1912 – 1985) – American photographer whose subjects included Alfred Hitchcock, Audrey Hepburn, Bob Dylan, Grace Kelly, Marilyn Monroe, Arthur Miller and many other notable figures during his career. Coplan had a passion for the circus and spent significant time traveling with Ringling Bros. And Barnum & Bailey Circus as well as The Big Top Circus during which time he photographed the sights and scenes in and surrounding their respective traveling shows. Date Of Negative: Circa early 1940’s Type Of Print: Authentic Vintage Sheet Fed Photogravure. Date Of Print: Circa 1940’s Paper: Medium weight, matte/satin finish Print Origin: Germany Approximate Image Size: 11.5 x 8.75 inches Mount Board Size: 20 x 16 inches. Black/White Print Border: No – full bleed print. Condition Grade: Very Fine ++ Verso: Professionally dry mounted with archival materials onto 4ply museum mat board. Condition Grade: Very Fine ++. Vintage Print Archive #. Certificate Of Authenticity (COA). Yes – individual hand signed COA from Fine Photo Galleries. This vintage photography print is guaranteed to be authentic and comes with a hand signed. CERTIFICATE OF AUTHENTICITY (COA) with unique individual registered serial number from the Fine Photo Galleries Archive & Database. READY FOR FRAMING & DISPLAY! Photography prints are highly collectible and perfect for framing and display. Your vintage print will arrive ready to be placed directly into a standard size frame. Each vintage artwork comes with a fully authenticated gallery certified COA (Certificate Of Authenticity) issued by Fine Photo Galleries, LLC.. This COA contains a unique serial number and small corresponding tamper proof hologram with matching serial number affixed to the backside of the print mount board with archival adhesive. Our exclusive authentication system and the ensuing COA/Hologram not only provides our clients with essential peace of mind but, adds value to the print in the future by providing provenance and the original gallery authenticity guarantee documents. WE LIST DOZENS OF NEW ARRIVALS EVERY DAY! Where you can search our World Class Selection of authentic vintage prints by photographer, subject or process. Browse THOUSANDS of fine vintage photography prints from silver gelatin to photogravure. Never a copy print, never a reprint! We Appreciate Your Patronage! Unauthorized copying or use of ANY PART of this description is prohibited.
1940s Vintage CIRCUS CARNIVAL CLOWN Reading Newspaper Costume Large Photo Art

Vintage 45 1/2 INCH Wooden Mallet Circus Hammer Carnival Sledge 19TH CENTURY

Vintage 45 1/2 INCH Wooden Mallet Circus Hammer Carnival Sledge 19TH CENTURY
Vintage 45 1/2 INCH Wooden Mallet Circus Hammer Carnival Sledge 19TH CENTURY
Vintage 45 1/2 INCH Wooden Mallet Circus Hammer Carnival Sledge 19TH CENTURY
Vintage 45 1/2 INCH Wooden Mallet Circus Hammer Carnival Sledge 19TH CENTURY
Vintage 45 1/2 INCH Wooden Mallet Circus Hammer Carnival Sledge 19TH CENTURY
Vintage 45 1/2 INCH Wooden Mallet Circus Hammer Carnival Sledge 19TH CENTURY
Vintage 45 1/2 INCH Wooden Mallet Circus Hammer Carnival Sledge 19TH CENTURY

Vintage 45 1/2 INCH Wooden Mallet Circus Hammer Carnival Sledge 19TH CENTURY
THE OVERALL LENGTH IS 45 1/2 INCHES. THE LENGTH OF THE HEAD IS 12 1/4 INCHES. DIAMETER OF THE HEAD IS 5 3/4 INCHES. THE HEAD IS NOT ATTACHED. PLEASE NOTE THE SIZE OF THE DIAMETER OF THE HANDLE. NEVER SEEN SUCH A LARGE DIAMETER ON ONE OF THESE HAMMERS. THE PIECE ITSELF IS REALLY FOLK ART. ONE EXTRA THING WORTH NOTING IS ON THE HEAD THERE ARE “CUT NAILS” HAMMERED IN, PROBABLY TO STRENGTHEN THE HEAD.
Vintage 45 1/2 INCH Wooden Mallet Circus Hammer Carnival Sledge 19TH CENTURY

1913 antique vintage Photographs Carnival Novelty roller skating act contracts

1913 antique vintage Photographs Carnival Novelty roller skating act contracts
1913 antique vintage Photographs Carnival Novelty roller skating act contracts
1913 antique vintage Photographs Carnival Novelty roller skating act contracts
1913 antique vintage Photographs Carnival Novelty roller skating act contracts
1913 antique vintage Photographs Carnival Novelty roller skating act contracts
1913 antique vintage Photographs Carnival Novelty roller skating act contracts
1913 antique vintage Photographs Carnival Novelty roller skating act contracts
1913 antique vintage Photographs Carnival Novelty roller skating act contracts
1913 antique vintage Photographs Carnival Novelty roller skating act contracts

1913 antique vintage Photographs Carnival Novelty roller skating act contracts
1913 antique vintage Photographs Carnival Novelty roller skating act contracts. Description – An interesting lot of 1913 vintage photographs of a Canadian Novelty rollerskating act named Nathan & Murphy. The lot consists of 5 action photographs with an original contract signed by the performers. Dimensions – 9 3/4″ x 7 1/2″, 3 – 8″ x 6″ & 1 – 6 1/4 x 4 3/4. The contract 10″ x 6 “. Condition – 4 photos in very good condition, the larger photo with some tape repairs, and the contract with some folds and a edge tears. Listing and template services provided by inkFrog.
1913 antique vintage Photographs Carnival Novelty roller skating act contracts

HUGE circus CLOWN Face HANGING Bust VTG chalkware 16.5 Premium carnival Prize

HUGE circus CLOWN Face HANGING Bust VTG chalkware 16.5 Premium carnival Prize
HUGE circus CLOWN Face HANGING Bust VTG chalkware 16.5 Premium carnival Prize
HUGE circus CLOWN Face HANGING Bust VTG chalkware 16.5 Premium carnival Prize
HUGE circus CLOWN Face HANGING Bust VTG chalkware 16.5 Premium carnival Prize
HUGE circus CLOWN Face HANGING Bust VTG chalkware 16.5 Premium carnival Prize
HUGE circus CLOWN Face HANGING Bust VTG chalkware 16.5 Premium carnival Prize
HUGE circus CLOWN Face HANGING Bust VTG chalkware 16.5 Premium carnival Prize
HUGE circus CLOWN Face HANGING Bust VTG chalkware 16.5 Premium carnival Prize
HUGE circus CLOWN Face HANGING Bust VTG chalkware 16.5 Premium carnival Prize
HUGE circus CLOWN Face HANGING Bust VTG chalkware 16.5 Premium carnival Prize
HUGE circus CLOWN Face HANGING Bust VTG chalkware 16.5 Premium carnival Prize

HUGE circus CLOWN Face HANGING Bust VTG chalkware 16.5 Premium carnival Prize
Showing good age – and color – c. As found no major damage, some surface scuffs. Most likely a top shelf carnival “Premium Prize” give away from the mid 1900’s era. A make-do wall hanging decor – it’ll be sort of like looking in the mirror. Measurements: 16.5″ Tall x 12″. Original twisted wire hanging loop – approx. Weight: 9.3 lbs. One of the hundreds of items. Currently offered on estate-asset. All inquiries answered promptly and honestly. Message estate-assets your questions or offers for review and consideration. Will need a physical address. (No – Post Office Box). Items we offer are vintage or antique. Private Homes, Collections and Estates there may be slight signs of nicks, dings, rubs or slight variations in color – questions? All questions are answered promptly and honestly. All sales are final.
HUGE circus CLOWN Face HANGING Bust VTG chalkware 16.5 Premium carnival Prize

Working Vintage Automated Acrobat Music Box Clowns Circus Carnival Amusement

Working Vintage Automated Acrobat Music Box Clowns Circus Carnival Amusement
Working Vintage Automated Acrobat Music Box Clowns Circus Carnival Amusement
Working Vintage Automated Acrobat Music Box Clowns Circus Carnival Amusement
Working Vintage Automated Acrobat Music Box Clowns Circus Carnival Amusement
Working Vintage Automated Acrobat Music Box Clowns Circus Carnival Amusement
Working Vintage Automated Acrobat Music Box Clowns Circus Carnival Amusement
Working Vintage Automated Acrobat Music Box Clowns Circus Carnival Amusement
Working Vintage Automated Acrobat Music Box Clowns Circus Carnival Amusement
Working Vintage Automated Acrobat Music Box Clowns Circus Carnival Amusement
Working Vintage Automated Acrobat Music Box Clowns Circus Carnival Amusement
Working Vintage Automated Acrobat Music Box Clowns Circus Carnival Amusement

Working Vintage Automated Acrobat Music Box Clowns Circus Carnival Amusement
This is a vintage automated music box made by Sankyo Shoji. It features clowns and circus carnival themes, and plays a melody that evokes the mood of a funfair. The music box was manufactured in Taiwan before the year 1900, and is still in working condition. It is a collectible item that would make a great addition to any decorative music box collection.
Working Vintage Automated Acrobat Music Box Clowns Circus Carnival Amusement